Getting to knowww you...
If there's one thing Mr MacPhisto loves, it's meeting people. He knows a lot of people...
in fact he knows you probably even better than you know yourself. But how much do
you know about him?
Mr MacPhisto. This is the official spelling that was used on posters and in books, and
MacPhisto spells it this way during a number of phone calls, with the exception of one
Glasgow concert where he inexplicably spells it "MACFISTO".
Willie Williams' tour diary reveals that he was originally just called "Mr Gold" in
reference to his eye-catching suit and shoes.
The name MacPhisto is a humorous Gaelicised version of "Mephisto", short for
the name of the devil to whom Faust
sold his soul. (Mephistopheles is Greek for "he who shuns the light".)
Some analysts have also suggested a possible link to McDonald's, representing
"part of the throw-away society".
- Star Sign:
First took shape on 7th May 1993, which arguably makes him a Taurus. Given the
horns, it rather suits him...
Jet-black and slicked back, long enough to be worn in a short ponytail.
His 2016 reincarnation has brown hair, cut in a short, fluffy style.
Regularly claims to have been 5' 8'' before he bought his platform shoes. "Now look
at me – I'm gigantic!"
English; he speaks with a very upper class accent and claims to be related to the
Queen (in fact he used to babysit her).
He does, however, appear to be of Irish descent, as the name might suggest. He tells
Akebono that "I have some Irish in me", and is obviously proud of his heritage as
he mentions it frequently.
"The last pop star" – determined to keep rock 'n' roll exciting for the young
He's a man of many talents, though, also referring to himself as "a fellow
thespian" in his phone call to Ian Lang. He has a fondness for Shakespeare, if that
speech is anything to go by.
Plus of course, he is the Devil, if that counts as an occupation! He leaves the
audience in no doubt as to his identity, with statements such as "God and the Devil
have all the best phone numbers" and "They call it the Devil's music – it is
my music". In Rome he tells the crowd that "I come disguised as
many things, and I'm particularly fond of show business". He returned in 2016 to warn a group of rich celebrities
that if they didn't use their money to help others, they would end up in Hell "with me
on your ass".
Well, he's everywhere...
But if you're looking for a more specific answer, he appears to have several homes
around the world (as any self-respecting rock star would). When phoning home from
Verona, he says he lives in Dublin, Ireland "in a house called Telefís
Éireann" (which funnily enough was the name of Ireland's first TV station).
At the Basel concert, he states that he lives in Las Vegas – aka 'Sin City'
– which is not surprising as he's known to be a regular performer on The
And then there's the Stuttgart show, where he remarks "It's so hot in Germany
– just like at home". It's left to the audience to decide just what place he's
referring to with that... ;)
MacPhisto was finally seen in Hell itself when he performed on Jimmy Kimmel Live! in
2016. He appeared in a steaming bathtub, welcoming the celebrity guests to his
"cauldron of sin"!
- Dress Style:
Striking gold lamé suit, normally worn over a bright red ruffled shirt (though early
shows featured a crinkly purple one). Glittery gold platform boots.
Wore a sparkly red suit on Jimmy Kimmel's (RED) Special in 2016.
Maintains a ghostly complexion and contrasts this with blood-red lipstick, dark
eyeshadow and bold, finely upswept eyebrows.
Wears a small silver hoop in each ear.
- Concert Appearances:
Official debut was 9th May 1993 in
Rotterdam, the Netherlands.
Appeared in every subsequent show until the end of the ZooTV tour on 10th December 1993 in Tokyo,
The concert in Sydney, Australia on 27th
November was chosen to be released as the official tour video, and
features MacPhisto delivering a speech to the world and attempting to call a taxi. It is
now available on DVD with a bonus disc, including the documentary 'A Fistful Of
ZooTV' which has clips of several other MacPhisto phone calls. These clips are
from Bologna, Italy on 18th July
("Hello, I'd like to leave a message for Alessandra Mussolini... I was a close friend of
her grandfather's, and I just want to tell her she's doing a wonderful job filling the old
man's shoes"); Rotterdam, the Netherlands on 10th May ("Hello? Somebody pick
up the phone!" and "Hello, good evening, do you speak English?"); Munich,
Germany on 4th June ("I'd like to
speak to Helmut Kohl, please"); Rotterdam, the Netherlands on 11th May ("I wish to speak to
Queen Beatrix"); and Bologna, Italy on 17th July ("Could I speak to the
maestro, Pavarotti, please?" "I ammm Mr Pavarotti! Who is
In the Super and Uber Deluxe editions of Achtung
Baby (20th anniversary release), the Bonus Material DVD has four MacPhisto
clips as an Easter Egg – his speech and phone call to Alessandra Mussolini in
Bologna, Italy on 18th July; his band
introductions in Madrid, Spain on 22nd
May; his phone call to KLM Airlines in Rotterdam, the Netherlands on 10th May; and his phone call to
Helmut Kohl in Munich, Germany on 4th
June. This DVD also has a Naked City feature on the Zooropa tour with clips
of MacPhisto performing Ultra Violet in Turin, Italy on 12th July.
The bonus DVD accompanying the limited edition of the Best Of
1990-2000 album features a montage of '90s footage entitled The History Mix
(which can also be seen on YouTube). This incorporates
several brief appearances from MacPhisto, including an audio clip from his speech in
Madrid, Spain on 22nd May.
- Video Appearances:
Stars in the promo video for Lemon,
alongside U2 bandmates and fellow alter-ego The Fly.
Also appears with The Fly, U2, Batman and The Riddler in the animated video for
Hold Me Thrill Me Kiss Me Kill
Both the Lemon and HMTMKMKM videos are available on the Best
Of 1990-2000 DVD, with directors' commentaries.
MacPhisto can be seen briefly in the video for Bono's duet with Frank Sinatra, I've Got You Under My Skin.
- Television Appearances:
Recorded an exclusive video message (at
5:30 and 16:31) for the third episode of cult Channel 4 music show Naked City,
broadcast in the UK on 6th August 1993.
Sang We're Going To Hell with a group of actors and musicians
on the second annual Jimmy Kimmel Live!
(RED) Special, broadcast in the USA on 22nd November 2016.
- "Do you know who I am? Because I know who you are..."
- "Look what you've done to me... you've made me very famous, and I thank you."
- "I know you like your pop stars to be exciting, so I bought these..."
- "Round about this time, I often make a telephone call. Sometimes to the President
of the United States. But not tonight..."
- "When you're famous, everybody gives you their telephone number."
- "Off with the horns, on with the show!"
- Mentions during one phone call that he's "a little hard of hearing".
- Began walking with a cane in Rome after developing a limp.
- Often complains of being "very tired" – and at his age, who can
- Bono has described him as "the ultimate satanic rock star but with
- Can be seen smoking in several photographs.
- Often sings the praises of Martini, "the most beautiful drink in the world".
- Has lived the rock 'n' roll lifestyle for many years. Addressed listeners in 2004 with:
"Decadence? Oh, no – you wouldn't know the meaning of the word. I, on the
other hand, know rather a lot about this subject..."
- His 2016 TV appearance showed him drinking champagne straight from the bottle
whilst relaxing in the bath.
- Show business ("It's in my blood"). Rock 'n' roll was all his idea, and
he often speaks of how much he loves it.
- Making telephone calls to his many famous friends!
- People with old-fashioned values... fascist politicians and the like. He's very
nostalgic for "the good old days" of the Raj, the Empire, the Third Reich.
- A great fan of the Eurovision Song
Contest. He sings a bit of several previous entries (by Teach-In, Dana and Cliff
Richard) during the tour, and says he was an inspiration to them all: "I taught them
everything they knew, I showed them what to do, I taught them who to be."
Mischievously describes Cliff Richard as "a very exciting pop star".
- Being treated kindly and courteously. Use all your well-learned politesse, and you'll
get on just fine.
- An appreciative audience – he loves you all. (But he loves himself as well.)
- Enjoyed boating with friends on Lake Geneva in Switzerland ("It was lovely").
- Organised religion. "They're doing my job for me, aren't they? Putting the
children off God."
- Selfish, spoilt celebrities who don't share their riches with the needy.
- People who are "flashy... from good stock". Loves Italian clothing, and
expressed particular admiration for the way the Mafia dress: "They're so beautiful,
the suits they wear, and the shoes."
- Shopping in Cardiff.
- Cucumber sandwiches. Especially the ones they make at Lambeth Palace.
- Described both Princess Diana and Madonna as "gorgeous".
- May be a fan of '50s singer Mario Lanza, whose picture can
be seen in his backstage dressing room. In an article by Angela Pancella on @U2.com, Lanza is
described as "a naturally gifted tenor whose tragic real life could inspire a musical
retelling -- opera's answer to Elvis".
- Change. "I like things to stay exactly the way they are."
- People disrespecting him. Or taking the mickey out of him... he cannot endure to
- Feeling lonely and homesick. He tells the crowd in Adelaide that he's "finding it
very difficult at the moment to meet people... especially young ladies, they're all
frightened of me".
- Can become impatient when his phone calls aren't swiftly answered. It brings out
his sarcastic side: "We've got all night, haven't we?!"
- Whales: "They're unemployed, they don't pay taxes, and they take up a lot of
room". He also says he has "absolutely no time" for people who do like
whales or dolphins.
- Being given a bad reputation: "All the wars, all the famine, all the trouble in the
world, I get blamed for it. Even the Evening Herald slags me off."
- Claims that he doesn't enjoy giving speeches. Though you'd never know
MacPhisto's opening song for the encore of every show on the Zooropa
(European) leg of the tour. Taken from the Rattle & Hum album and performed
by the Mirrorball Man on previous legs, Desire traditionally had a rather American feel to
it, making it a curious choice for Mr MacPhisto. For most of the song he speaks, rather
than sings, the lyrics – it's particularly amusing to hear him declare "Pretty
soon, y'all, everybody's got one!" in his refined English accent.
During this song MacPhisto strides confidently around the stage, with what Dianne
Ebertt Beeaff describes in A Grand Madness as "a hip-swinging wide-legged
swagger". He moves provocatively, moans with pleasure, blows kisses, flamenco
dances, strikes poses and even drapes himself flirtatiously over his bass player as he
sings "I'm burning, baby, yeah..." In the second half of the tour he regularly
announces his arrival with "Honey, I'm home!" He also gives a literal representation to
some of the lyrics, miming the "shotgun" and waving Zoo ECUs in the air when
he gets to the line "For love or money!"
MacPhisto displays his musical talents by playing the harmonica at the end ("The
Devil plays a harp too, you
know"). He usually closes the song with a series of cries such as "What a night!
What a show! What a city!" followed by "Zooropa! Zooropa! Myyy Zooropa..." (grandly
rolling his R's for effect).
There are occasional variations in the lyrics, such as "And the flames getting
higher!" sung with devilish delight. The instrumental bridge and outro are also
frequently used to add in snippets of other songs:
- You Make Me Feel So Young (Frank Sinatra). A rather appropriate
track for this ageing rock star, included in a total of 15 performances and also sung
briefly during one of his phone calls.
- Sympathy For The Devil (The Rolling Stones). "Please allow me to
introduce myself... hello," MacPhisto sings mischievously at the second Bologna
show. It appears again in Oslo ("You know me, don't you?") and Stockholm.
- Satisfaction (The Rolling Stones). "I can't get no..." Appears briefly
in Strasbourg and Rome, and in Budapest where he recites most of the first verse.
- Solid Gold Easy Action (T. Rex). Enthusiastically sung during the outro in
Naples, Leeds and the final London show, despite MacPhisto seeming unsure of the
correct lyrics. "I don't get no easy action / All I got is satisfaction, babyyy!"
- Singin' In The Rain. Makes an appearance in Munich, Lausanne and the
last night at Wembley. Perhaps in homage to Alex from A Clockwork Orange,
MacPhisto sings it with ballsy attitude in an almost Cockney accent, whilst skipping
around the stage with an umbrella. (Beeaff mentions this in her concert diary: "He'd
lean back and kick out his legs as he went.")
- Light My Fire (The Doors). "Come on baby light my fire,"
MacPhisto implores on the second night in Verona, the anniversary of Jim Morrison's
- Love Me Do (The Beatles). Sung over the outro in Copenhagen; "You
know I love you," MacPhisto suavely assures the crowd.
- The first live utterances of "She wore lemonnn!" also appeared during the
bridge of Desire, at the concert in Naples.
Other notable versions of Desire include:
- Great performances in Rotterdam on 10th and 11th May, where
MacPhisto shouts the lyrics with gusto and declares "I'm really burning tonight!" He is
particularly talkative in the latter show, also adding "How about a big handclap for good
old me, then?" and "Maybe I could tempt you with a little filthy lucre!" The line "For
love or money" is unusually followed by a list of examples – "A dime, a yen, a
pfennig or a pound!" – and there's further entertainment during the outro when
MacPhisto proclaims "I'll huff... and I'll puff... and I'll blow your house down!"
- At the second Rome show, the bridge is drawn out for over a minute and
a half as MacPhisto spots a lifesize inflatable sex doll in the crowd and announces
"She looks like my kind of girl!", encouraging it towards him with "Come on now child..."
The doll is passed forward and onto the stage, where MacPhisto spends about half a
minute dancing with it, until it deflates and flops limply over his arm. "It happens to all
my girlfriends!" he complains, before telling the doll "Do sit down..." and draping it onto
the stage with its legs hanging over the edge.
- The first Bologna show is also rather amusing, as MacPhisto suddenly
exclaims "A balloon! Oh, lovely!" halfway through Desire. "See it to me, blow
him in! Bring thus here!" he urges, but it never reaches the stage – please let me know if you were at the show and
can explain what this was all about. :)
- At the first of the London shows, MacPhisto murmurs "Hey there
pretty" and pauses to caress someone's cheek as he crosses the front of the
- Daddy's Gonna Pay For Your Crashed
Opened the encores on the final leg of the tour in Australia, New Zealand and Japan. On
the ZooTV Live From Sydney video, MacPhisto begins the song in his opulent
dressing room backstage, watched by the audience on the big screens. He finishes
applying his make-up, sings (admiringly) to his reflection and puts on his gold jacket,
aided by wardrobe assistants Nassim Khalifa and Helen Campbell. Waving to no-one in
particular on the way, he bursts onstage in a frenzy of wild dancing, in time for the
"head full of traffic" verse.
MacPhisto injects rather more emotion into the song than there had been on the
Zooropa album version. As it has been speculated that "Daddy" in the song
could refer to the Devil, it seems well suited to him. Bono is quoted as saying in a
September 1993 interview with Q magazine, "There's certainly an evil feel to things
like 'Daddy's Gonna Pay For Your Crashed Car'. That song could be about dependency
or something more sinister. It's an electronic blues, my Robert Johnson thing. Flogging
the soul to Satan."
Amusingly, "A-HA, SHA-LA" appears in huge letters on the screens every time the line
- Ultra Violet (Light My Way)
This Achtung Baby track came after MacPhisto's telephone calls at each of the
European shows; in fact he often sang the opening lines down the phone. After the fun
and mischief of Desire, this song was the start of a much more emotional set, sung
with passion and desperation. Dianne Ebertt Beeaff observes that "In Ultra Violet,
Mac seems to quite suddenly realize where he is and what he's become and he tries to
recover". He stumbles and throws himself violently around the stage like a man
possessed (quite literally!)
The chorus provides an opportunity for MacPhisto to use his striking falsetto.
At the Oslo concert, the song was seemingly used to take a swipe at Norway's
pro-whaling policy, as an extension of MacPhisto's phone call: "Will you bury our treasure
where it can't be found? / Deep under the ocean... makes a wonderful sound / There is
a silence that comes to a house where no-one can sleep / We won't ask you to make
promises we know you won't keep."
In the final verse, MacPhisto often changes the lyrics to: "I was all fucked up; you
were an opera in my bed. Now your love is like a lightbulb – it just goes over my
head." In Oslo he replaced this verse entirely with "Time's giving out / I'll soon be
outta here / I won't be back for many years".
Having staggered onto the walkway, MacPhisto ends the song with a moving
Sinatra-esque "Liiiight myyyy wa-aayyyy", before dramatically slumping over like
a marionette whose strings have been cut.
Replaced Ultra Violet as MacPhisto's second song on the final leg of the tour. He can
be seen dancing and twirling to the music, leaping around the stage and staring deeply
into the camera. This track from Zooropa is very much associated with
MacPhisto as he also starred in the promo video
for the single.
Lemon is sung almost entirely in falsetto, also known as "the fat lady voice". Bono
explained to Carter Alan [source]: "Well, the 'fat lady'
sang on 'The Fly'. That was a gospel thing, it was kind of kitsch, you know, big fat
mama. We just thought on this record we'd give her a song! I love to sing like
As with Daddy's Gonna Pay For Your Crashed Car, this song was especially brought to
life on the tour. During the chorus, MacPhisto sings a stirring counter-melody of
"Midniiight... midniiight... midniiight is where the day begins".
Lemon segues beautifully into With Or Without You, its familiar bassline starting up as
MacPhisto sings the final "Midnight..."
- With Or Without You
This Joshua Tree classic about impossible relationships sees a fragile
MacPhisto sing the lyrics in a faltering manner, gazing sadly into the camera and
hugging himself for comfort. He sings "With or without you, my love" in a
departure from the album version. "And you give yourself away" is sometimes
altered to "And you give your soul away" (described in A Grand Madness
as being sung "with a shiver in his voice").
On the last night of the Zooropa tour in Dublin, MacPhisto opens the song with a
snippet of My Way ("Regrets, I've had a few...")
Many performances include the popular "Shine Like Stars" coda, with varied lyrics such
as "We'll shine like stars in the silver light / We'll shine like stars, it'll be alright"
or "We'll shine like stars and light up the night". At the final show in Tokyo, he
includes a snippet of Love Will Tear Us Apart by Joy Division, repeating
"Love, love will tear us apart again" several times at the end of the song.
The performance on the ZooTV Live From Sydney video, featuring a radically
different structure, is arguably the most heart-wrenching version of the song ever.
MacPhisto rips open his shirt as he sings "And you give yourself away", before
closing his eyes and turning painfully away from the camera at the line "My hands
are tied, my body bruised". At the point where the quiet outro begins on the album,
the band slowly build the music to a crescendo as MacPhisto repeats "And you
give... and you give... and you give... and you give" in an increasingly desperate
voice. Throwing himself into the song as if he's being torn apart, it reaches its climax
with one final "I can't live, I can't live, with or without you / With or... without
- Love Is Blindness
Slow, dark and hauntingly beautiful on the Achtung Baby album, this song is
equally powerful live, with MacPhisto at the point of his deepest despair. He remains on
the B-stage and looks alternately pensive, bitter and forlorn as he sings. It is frequently
mentioned as a highlight in Dianne Ebertt Beeaff's concert summaries: "Love Is
Blindness was particularly stunning. Bono doubled over a time or two in pain, his voice
broken but beautiful, his eyes covered." At some shows he can be seen flicking a
lighter in time to the music; Beeaff describes how "he desperately tried to rekindle a
flame that had gone out. He mimes this very well, striking the flint unsuccessfully again
and again". Bill Flanagan observes in U2 At The End Of The World that
"by the time he performs 'Love Is Blindness' from the lip of the B-stage with the white
makeup running down his face, the line between MacPhisto and Bono has become
In some performances, the line "A little death, without mourning" is translated to
"A petite mort, without mourning", adding to the ambiguity over the song's
meaning (it could be about terrorism or simply the breakdown of a relationship). The
"petite mort" is a French term for an orgasm.
While The Edge plays his devastating guitar solo, MacPhisto invites a girl from the
audience onstage to slow-dance with him. He closes his eyes, sometimes brushes the
sweat from his face with her hand, and clings to her in the darkness (echoing the lyrics
"Love is blindness, I don't want to see; won't you wrap the night around me?").
Beeaff describes him dancing with a young woman who towered above him: "He put
his head on her shoulder, wrapped his arms around her, and he was a little boy again in
desperate need of a mother's comfort and protection, the sole person who could give
him back his innocence." MacPhisto's eyes and voice are filled with an aching
sadness as he sings the chorus once more to close the song.
An unusual version was
performed at the Oslo concert (introduced with the words "This is a song that I think
you'll understand. Put out the lights... we're better off in the dark"), probably again
reflecting anger at the commercial hunting of minke whales. The first few verses are
half-spoken rather than sung, with lyrics altered to "All is blindness" and
"Hearts that are too cold to feel", before lines from All Along The
Watchtower are inserted to the tune of Love Is Blindness: "There must be
some kinda way out of here / Said the joker to the thief / There's too much confusion
here / I can't get no relief / Businessmen they drink my wine / Ploughmen dig my earth /
None of them along the line / Know what any of it is worth / What price...
- Can't Help Falling In Love
This Elvis Presley cover, usually included as the final song of the night, is the climax of
the emotional rollercoaster set in motion by With Or Without You and Love Is Blindness.
MacPhisto performs it almost on his own, accompanied only by The Edge's gentle
guitar, and by this point he seems exhausted – but manages to deliver his finest
performance of them all.
Bono explained to B.P. Fallon why he was drawn to Can't Help Falling In Love:
For this song, all of MacPhisto's humour and theatrical gestures have long since
vanished, leaving him at his most vulnerable and emotionally bare. The lyric "But I
can't help falling in love with you" seems to be directed at his audience, whom he
had earlier thanked for making him famous – acknowledging that his desire for
stardom is irresistible, despite what it has turned him into. The sense of inevitability is
heartbreaking. (Elvis, too, often closed his Vegas-era concerts with this ballad; his
ex-wife Priscilla has stated that he did this for his fans, "thanking them for all these
years supporting him and staying with him".)
"I've always loved that song. And I wanted to give it a different interpretation to
Elvis's which I always felt was down on one knee, like... 'Take my hand, take my whole
life too', so... I always felt he was at the altar. Whereas I was interested in the second
verse, which was 'Shall I stay, would it be a sin?' – which doesn't sound
like somebody who's getting married! And so I thought, this is interesting, this is-- I'll play
the 'Catholic guilt' version. So that was my spin on the song. Erm, though the angels do
arrive at the end to, er, rescue the day... I hope."
The song's defining moment comes after the bridge, when MacPhisto breaks into the
most stunning, spine-tingling falsetto to sing "Take my hand, take my whole life too /
'Cos I can't help falling in love with you". It's truly breathtaking to hear him reach
higher and higher notes that seemed surely beyond his vocal range. B.P. Fallon's book
U2 Faraway So Close includes a section about the recording of this song:
Bono describes this extraordinary zenith as "the little boy inside the corrupt man
breaking through for a moment"; it's a small fragment of MacPhisto's spirit that
remains untarnished by the excesses of fame and fortune. (In a Rolling Stone interview,
he opined "that falsetto as the song ends is the most poignant moment of the show,
because, in among all those fucked-up qualities, there's just that little childlike
voice". He later told Joe Jackson: "That's why people loved Elvis, even at the
end. There was still that aspect of purity.") As he slowly backs along the walkway
toward the main stage, he allows the audience to complete each of the song's final
lines. Dianne Ebertt Beeaff observes that "when thousands of voices respond to his
"I can't help" with "falling in love with you" his character's face lights up, relieved to find
that he's still "liked" for who he really is – whatever that may be". At last
MacPhisto turns and disappears into the darkness, at which point Presley's original
version of the song normally plays over the loudspeakers – "drowning out the
last rock star with the first", as Bill Flanagan puts it.
You like the first bit where it's almost spoken, as if he's sitting beside someone and
he's confiding quietly into their ear, then loping into the melody and you suggest that he
just let his voice go, let it just fly like a Phoenix Icarus soaring towards the sun but
keeping his wings intact. Something like that. [...]
Next thing, Bono's singing, bloody hell, and at the end of the song his voice is high
and pure and beautiful, resigned sadness floating towards uncertain paradise. Beautiful.
Elvis is still in the building.
- Are You Lonesome Tonight
Another Elvis cover, this song was performed for the only time in Rotterdam, the
Netherlands on 10th May 1993, in place of Can't Help Falling In Love. MacPhisto sang
his own version of the lyrics:
"Are you lonesome tonight?
Are you feeling alright?
It is sad now you've all got to go?
Will your heart feel the same?
Will you come back again?"
"Then my dears, I'm not lonesome tonight."
- We're Going To Hell
song! This was performed on a special fundraising episode of Jimmy Kimmel's talk
show in November 2016, and featured all of the celebrities who had offered prizes in the
(RED) SHOPATHON that year. What appears to be a straightforward Christmas song
quickly descends into a display of greedy self-indulgence by the stars, despite them
realising that "If we don't help people with AIDS, we're goin' to Hell". Their fears
come true at 4:15, when the Devil himself gatecrashes the party – it's none other
than our old friend Mr MacPhisto, revelling in their lack of charity and ready to claim their
souls unless they do the right thing. His backing music is provided by The Killers' Dave
Keuning, Ronnie Vannucci Jr and Jake Blanton, whose bandmate Brandon Flowers
wrote the song with Jimmy Kimmel. Full details of this performance can be found on the
Off Stage page!
- Other Songs
- Help! (The Beatles). Sung into the answering machine after
MacPhisto's failed attempt to call the United Nations at the Dublin show on 28th August
1993. The audience are allowed to sing the last line.
- Show Me The Way To Go Home. MacPhisto sings this at the Sydney
show on 27th November, after the woman from the taxi company hangs up on him.
- Ding-A-Dong (Teach-In). Dutch Eurovision winner from 1975, performed in
Rotterdam on 9th May.
- All Kinds Of Everything (Dana). Irish Eurovision winner from 1970,
performed in Cork on 24th August. Again the audience get to sing the last few words.
- Congratulations (Cliff Richard). Eurovision runner-up from 1968, sung in
Adelaide on 16th November to congratulate Graham Cornes on the news of his wife's
- You'll Never Walk Alone (Gerry And The Pacemakers). Popular football
anthem sung by MacPhisto and the crowd into Graham Taylor's answerphone, at the
Wembley Stadium concert on 21st August.
- Happy Birthday. Sung down the phone to Clannad during the Verona
show on 2nd July, as the band celebrate their 20th anniversary.
- God Save Our Dame. Specially adapted version of UK national
anthem 'God Save The Queen', sung to Dame Edna Everage at the Melbourne and
Sydney shows on 13th and 26th November.
- Money, Money, Money (Abba). MacPhisto sings most of the chorus in the
group's home city of Stockholm, Sweden on 31st July.
- My Kind Of Town (Frank Sinatra). This appeared at both Scottish shows
on 7th and 8th August, with the lyrics changed to reference Glasgow instead of
- New York, New York (Frank Sinatra). Another song snippeted at the first
Glasgow show, in a segue from My Kind Of Town. "I want to wake up in a city that
never sleeps" becomes "a city that doesn't give me the creeps".
- Those Were The Days (Mary Hopkin). Sung briefly at the London show on
11th August as MacPhisto reminisces about the Raj and the British Empire.
- Raindrops Keep Fallin' On My Head (B.J. Thomas). Makes a short
appearance at the Paris show on 26th June.
- Green, Green Grass Of Home (Tom Jones). MacPhisto greets the crowd
in Cardiff on 18th August with a brief snippet of the Welsh crooner's biggest hit.
- Spanish Eyes (Al Martino). MacPhisto can be heard singing "Spanish
Eyes are waiting for me..." whilst on hold during his phone call in Madrid on 22nd
- Neighbours theme. MacPhisto sings the theme song from the popular
Australian soap during the Auckland show on 4th December, having phoned one of the
houses overlooking the stadium where the owner was charging admission for people to
come and watch.
- The Right One (Martini song). An old advertising jingle that MacPhisto
can often be heard singing to the audience as he begins his nightly speech.
- Moon River (from Breakfast At Tiffany's). Appears to be one of
MacPhisto's favourite songs, crooned at a number of shows before starting his speech.
- I Just Called To Say I Love You (Stevie Wonder). Became a regular
feature of MacPhisto's phone calls halfway through the tour, serenading his famous
friends either directly or via their answerphones.
- Hanging On The Telephone (Blondie). Often sung by MacPhisto as he
waits for his phone calls to be answered.
- Getting To Know You (from The King And I). Another of MacPhisto's
favourite mid-phone call snippets, which also pops up during Desire at a couple of
- Dubinushka (The Little Cudgel). Russian revolutionary folk song played as
an intro to Desire and Daddy's Gonna Pay For Your Crashed Car. MacPhisto sings
along enthusiastically in his dressing room while filming a video message for Naked City
– albeit with seemingly made-up lyrics!
- Into The Heart (U2). MacPhisto sang a line of this song from the
Boy album while leaving a voicemail message for the 'inTO the Heart' fan festival